Thought processes: " The abstraction,
as a research domain, remains a space of freedom where it expresses
with intensity the poetry and the emotion which inspires the
informal, it is sometimes translated by a constructive interpretation
of the gestual chaos in which eventually we can find some, symbolic
of life, abstracted " figures " .
It is indeed a question of organizing a lyric spontanéîté
and of gathering the conception and the shape. Sometimes the
first gesture is just in its aesthetic value without loosing
its thought. Much more often the chaos gets organized spontaneously
before the artist brings his own effort of reconstruction, here
is the mystery which entrains the artist to pursue his research
to understand " why autoorganization?". Does it result
from a cultural transmission? But rest to understand the chaos
of this cultural transmission which was never planned and possesses
multiple previous histories, transmission also gets autoorganized
to reduce its variety and become efficace.
An impression for the artist of creation of a "life"
appears, a history which reproduces from work to work, which
he hopes to pass on to the spectator. The painter becomes an
architect, isn't it the essence of the abstract creation?
In conclusion there is no opposition between lyric (expression)
and geometry ( the aesthetic factor), between the concept (the
thought) and the shape "
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